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Wounds and Lacerations: Emergency Care and Closure (Expert Consult - Online and Print), 4e 4th Edition

  • Published on: 1707
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Sabtu, 12 April 2014

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  • Sales Rank: #4999815 in Books
  • Published on: 2011-04-03
  • Number of items: 2
  • Binding: Paperback

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Rabu, 09 April 2014

[X778.Ebook] PDF Download Waiting for Godot - Bilingual: A Bilingual Edition, by Samuel Beckett

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Waiting for Godot - Bilingual: A Bilingual Edition, by Samuel Beckett

From an inauspicious beginning at the tiny Left Bank Th��tre de Babylone in 1953, followed by bewilderment among American and British audiences, Waiting for Godot has become one of the most important and enigmatic plays of the past fifty years and a cornerstone of twentieth-century drama. As Clive Barnes wrote, “Time catches up with genius. . . . Waiting for Godot is one of the masterpieces of the century.” Beckett wrote the play in French and then translated it into English himself. In doing so he chose to revise and eliminate various passages. With side-by-side text, the reader can experience the mastery of Beckett’s language and explore its nuances. Upon being asked who Godot is, Samuel Beckett told director Alan Schneider, “If I knew, I would have said so in the play.” Although we may never know who we are waiting for, in this special edition we can rediscover one of the most poignant and humorous allegories of our time.

  • Sales Rank: #579995 in Books
  • Published on: 2010-07-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 5.25" w x 1.00" l, .72 pounds
  • Binding: Paperback
  • 368 pages

Review


“One of the true masterpieces of the century.” —Clive Barnes, The New York Times

“One of the most noble and moving plays of our generation, a threnody of hope deceived and deferred but never extinguished; a play suffused with tenderness for the whole human perplexity; with phrases that come like a sharp stab of beauty and pain.”
—The Times (London)

“Beckett is an incomparable spellbinder. He writes with rhetoric and music that . . . make a poet green with envy.” —Stephen Spender

“Reading Beckett for the first time is an experience like no other in modern literature.”
—Paul Auster

“[Godot is ] among the most studied, monographed, celebrated and sent-up works of modern art, and perhaps as influential as any from the last century. The nonstory of two tramps at loose ends in a landscape barren of all but a single tree, amusing or distracting themselves from oppressive boredom while they wait for a mysterious figure who never arrives, the play became the ur-text for theatrical innovation and existential thought in the latter half of 20th century.” —Christopher Isherwood, The New York Times

About the Author
Samuel Beckett (1906-1989), one of the leading literary and dramatic figures of the twentieth century, was born in Foxrock, Ireland and attended Trinity University in Dublin. In 1928, he visited Paris for the first time and fell in with a number of avant-garde writers and artists, including James Joyce. In 1937, he settled in Paris permanently. Beckett wrote in both English and French, though his best-known works are mostly in the latter language. A prolific writer of novels, short stories, and poetry, he is remembered principally for his works for the theater, which belong to the tradition of the Theater of the Absurd and are characterized by their minimalist approach, stripping drama to its barest elements. In 1969, Beckett was awarded the Nobel Prize in Literature and commended for having 'transformed the destitution of man into his exaltation.' Beckett died in Paris in 1989.

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19 of 21 people found the following review helpful.
TOWARD A THEOLOGY OF WAITING: BILINGUAL BECKETT
By Love Thy Enemy
This review refers to the recent and very welcome bilingual edition of En attendant Godot.

Originally written in French as a break while Mr. Beckett tackled his obscure and thick novel writing in exile within southern France from occupied Paris (where he served in the Resistance until directly threatened; please the excellent biography Samuel Beckett: A Biography), Waiting for Godot became one of the most influential plays of the Twentieth Century.

Grove Press early cornered the American market for Beckett, its wisest and most respected publications. Here Grove Press and Les Editions de Minuit graciously combine copyrights to publish this important bilingual edition.

This edition contains only the barest of introductions, basically the English textual genesis with little background. For instance we do not read in this introduction how barely authorized, if at all, was the Miami production with the great Bert Lahr, a production one wishes deeply might have been recorded in some media, yet we read the cast of characters twice. We do not read of several other influential and important productions, including the full story of those directed by Mr. Beckett himself, not the prison productions. I certainly wish this play could be produced as written with a quartet of sextagenarians.

We have here in this introduction only the barest of bones of some textual variants, with a very brief bibliogrpahy.

Yet not much more is needed. The history and meaning have been deeply discussed in other publications, including several available here upon the amazon. For those who wish to learn the "back story" of Didi and Gogo, we may read the entertaining Beckett novel Mercier and Camier; also recommended for beginners is his intriguing first novel Murphy By Samuel Beckett.

What counts here is this bilingual edition, presenting face to face, line by line, the two languages, English and French, in which this play was written by Beckett.

The left hand page presents the original French text; the right hand page presents what the introduction indicates is the most authentic English translation available. This presents us with several advantages, and not only in bilingual education or sencond language instruction. We see here more broadly the intent of the author.

This therefore is a very important copy to have and to study, in this generous and easily readable Grove bilingual edition, durably hardcovered.

We each of us wait for Godot. Maybe tomorrow. Maybe we will forget.

Read here and remember.

8 of 9 people found the following review helpful.
One of the masterworks of the 20th century - but should be seen as well as read
By Robert Moore
First, a word about editions. This edition of Waiting for Godot - Bilingual: A Bilingual Edition replaces the earlier English-only edition of Waiting for Godot: A Tragicomedy in Two Acts (Beckett, Samuel). The latter, though with occasional changes of covers, has long been the standard edition of the play in English. It features Beckett's translation of the play in English, and nothing else. But Grove is replacing it with this parallel version, which will feature the French original alongside Beckett's translation into English. This new edition also features an introduction, which the earlier edition lacks.

Too many people forget that this is a PLAY, i.e., something that provides words for actors on a stage. It is not primarily intended to be read in a book. Unfortunately, this is how most people experience the play, therefore depriving them of most of elements of the performance. Therefore, I am going to make a recommendation for a way of increasing the richness of your performance of the play. Too many people forget that this is a PLAY, i.e., something that provides the words for actors on a stage. It is not primarily intended to be read in a book. Unfortunately, this is how most people experience the play, therefore depriving them of most of elements of the performance. Therefore, I am going to make a recommendation for a way of increasing the richness of your performance of the play.

Though an Irishman, Beckett originally wrote the play - as he did with almost all of his works - in French first and then later translated them himself into English (in contrast, Vladimir Nabokov after moving to the United States wrote his books in English, and then translated them into French and Russian, his wife doing the translations into German). The play was originally performed in Paris, while the English-language premiere took place in Ireland. The American debut was not on Broadway, but in Miami, Florida, with Bert Lahr and Tom Ewell.

Instead of merely reading the play, read it while listening to a recording of the original Broadway production of Waiting For Godot, which starred Bert Lahr (best known as the Cowardly Lion in THE WIZARD OF OZ) as Estragon and E. G. Marshall as Vladimir. While you still wouldn't get the visual dimension of the play, hearing the actors bring the characters to life adds new layers to the play that you would never get merely by reading it. Lahr was an unexpected choice to star in the play, given that he wasn't an actor so much as a vaudevillian comedian. His acting style was too over-the-top to be convincing in film (though perfect for the Cowardly Lion); I read somewhere - I don't recall where - that he was more like a cartoon character incarnated than a human. He nonetheless gives a marvelous performance here. Marshall was one of the most distinguished stage actors of his generation and more than holds his own with Lahr while acting as more the straight man.

If you listen to the recording while reading the book, the performance that will most come to life is that of Lucky. I'd read the play 2 or 3 times over the years and seen it once on the stage in which I now realize was a rather tame production, but had not really paid much attention to Lucky. His main contribution was a single, very long speech (not terribly unlike the long speech given by The Fireman in Ionesco's THE BALD SOPRANO in terms of length and its absurdity - a speech that I gave in a college performance of the play). Read on the page it can seem interesting and silly, but hearing the actor (though it wasn't indicated in the recording, Alvin Epstein played Lucky in the original Broadway production and it is almost certainly him here) perform the speech is revelatory. He doesn't say the words so much as shriek, yelp, gasp, bark, and screech them. Hearing Lucky's speech performed by a talented actor transforms your appreciation of both the speech and the play.

This is one of the truly great works of the 20th Century, one of the key plays making up what Martin Esslin dubbed The Theatre of the Absurd, but it is not best experienced by reading it on the page. Try to see it performed instead, or at bare minimum in the Bert Lahr/E. G. Marshall version noted above. You wouldn't think that you had experienced a Bob Dylan song merely by reading the lyrics, and so also you won't experience WAITING FOR GODOT unless you hear or see it performed.

20 of 26 people found the following review helpful.
Waiting and Waiting and Waiting and ...
By Stephen Williams
Waiting and Waiting and Waiting and ...

Review of Play: Waiting for Godot - A Tragicomedy in Two Acts

Written in: 1949

Premiere in: 1953

By: Samuel Beckett (1906 - 1989)

Originally written in French and translated to English by the author himself.

This play takes place on a desolate road next to a barren tree. There are two aimless men loitering and passing the time in discussion. They are soon joined by two others. The first act of the play lasts through one evening. The second act lasts through a second evening almost identical to the first. When ever the subject of leaving their spot arises, we learn that they can't leave because they are "Waiting for Godot" and need to stay at this particular spot on the road.

There is a sense of timelessness. The second evenings (second act) seems to be slightly altered copy of the first evening (first act). The characters are "Waiting for Godot" and for salvation. Their wait for salvation might well be endless since all of them are loath to face their true motives, their real needs, their personal wants and honest desires. They don't seem to know why they are "Waiting for Godot" or what Godot (God?) will bring them. When they mention suicide they flippantly dismiss the subject. One time they say they can not hang themselves because they have no rope when in fact there is a rope lying on the stage as one of the few props.

They appear to have voluntarily subjected themselves to a purgatory and don't have the courage or initiative to even question their situation.

The discussion ranges from an inane account of boots being too tight to sophistic meanderings on the purpose of life. The characters seem to relentlessly keep talking to avoid facing something. We are not privy to any of their pasts or in fact any personal information about any of the characters. They might have been meeting on the desolate road for an endless time, so that any past that they had is lost in the mist of their memories.

The nearly barren tree reminds them of a hanging tree and by implication a crucifixion cross. The tree dominates the stage background just as Godot dominates the lives; free choice and every expression of the four main characters. Does the milieu force the characters to think of salvation to the exclusion of a meaningful life? Could their need for salvation keep them trapped in a purgative existence where escape would be a form of condemnation which none of them could tolerate?

The play "Waiting for Godot" forces the reader to ask questions of himself/herself.

Waiting for Godot

Krapp's Last Tape

Endgame and Act Without Words

I completely enjoyed and highly recommend this book.

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Jumat, 04 April 2014

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The Education of a Speculator, by Victor Niederhoffer

Acclaim for The Education of a Speculator, a provocative and penetrating look into the mind, the soul, and the strategies of one of the most controversial traders of all time

"A compelling and an entertaining read." -The Wall Street Journal

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  • Sales Rank: #669666 in Books
  • Published on: 1998-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.94" h x 1.24" w x 5.98" l, 1.31 pounds
  • Binding: Paperback
  • 444 pages

Amazon.com Review
What you typically hear about Victor Niederhoffer is that he trades for "the great Soros," that he doesn't wear shoes in his office, that the only newspaper he reads is the National Enquirer, and that a picture of the Titanic hangs in his office.

That's all true. But it's the logic behind the eccentricities that is the real story. The Education of a Speculator is a sojourn inside the one-of-a-kind mind of Victor Niederhoffer, a trader in commodities and a keen observer of life. He has trained himself to look at the world in a singular fashion: where the guy on the street sees opportunity, Niederhoffer has scoped out all the downsides and done the contrarian thinking necessary to turn a profit. Niederhoffer draws material from disciplines as varied as biology, music, cards, and sports. His book, written with humor and verve, offers readers a chance to see the world through his lenses. The result is a genuinely new perspective on life (unless you too happened to grow up a speculator). This is a terrific, rewarding book.

From Publishers Weekly
Spiked with irreverent, often self-deprecating humor, this rambling memoir by the head of Niederhoffer Investments, a top-ranked Wall Street commodities trading firm, is entertaining, outspoken and sometimes maddening. Born in Brooklyn in 1943, the author, who grew up playing stoop ball, applies his street smarts to the art of speculation as he distills lessons from handball, chess, checkers, gambling, poker and also tennis, which he played while attending Harvard. National men's squash champion for 10 years, he retired from the game on principle after he was denied membership in athletic clubs that excluded Jews. Sketching an eclectic history of forecasting techniques from ancient Greece's Delphic oracle to the Federal Reserve, Niederhoffer extrapolates from weather predicting and handicapping horse races to estimating price movements, and draws strained if intriguing parallels among sex, music and speculation. Finally, he turns to ecology for an "ecosystem model" of futures and foreign-exchange markets. Although he lays out no comprehensive system, his book is full of unconventional advice on what and when to buy and sell.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
Niederhoffer, a friend of George Soros who was once voted best commodity trading advisor, shares what has made him a savvy, successful speculator. He writes that "Willie Sutton (yes, the bank robber) exemplified the rule that success in any endeavor requires single-minded attention to detail and total concentration." In this long but fascinating memoir, he discusses how he was influenced by sports in the Brighton Beach neighborhood of his youth (he was born in 1943) and how street games and racquet games (he was National Men's Squash Champion for ten years) helped form his talent for speculation. He then delves into the influence of history, sex, war, ecology, sports, music, and even the Delphic oracle on his speculation efforts?all of which require great concentration and attention to detail. However, apparent throughout is the influence of his own family history on his values and actions. Readers who enjoy biographies in general are in for a treat. Investors, especially those who are not familiar with speculation and commodities, are in for an "education," too.?Steven J. Mayover, Free Lib. of Philadelphia
Copyright 1997 Reed Business Information, Inc.

Most helpful customer reviews

6 of 11 people found the following review helpful.
Not enough about the markets
By Eric Wagner
This book is not about speculating at all. It is about how Victor plays checkers with a 90 year old, how to play squash, handball, tennis etc... Then if he wasn't talking about games he was talking about Brighton Beach, NY then about Artie (his dad). I am sure his dad was a great guy but I don't want to read about how his mother and father met and got married. Then every once in a while he will throw in something about the markets and some study that he has done. The studies and the text after them are really good if he would have stuck to that topic it would be a decent book.
Also it is very hard to read. In one paragrah he would be talking about his uncle Howie's strategy in handball and then burst right into speculating the next paragraph without really even trying to connect the two. When he does talk about trading he does talk about his losses which most authors don't and I found that refreshing. Overall though don't waste your money on this book. There are tons of other books much better about the markets and personal stories about speculating.

39 of 44 people found the following review helpful.
Stocks, commodoties and almost everything else
By Lleu Christopher
The Education of a Speculator is a long, sometimes meandering account of the life of speculator Victor Niederhoffer. There is no particular order to this book, at least that I could discern; Niederhoffer jumps from topic to topic, going backwards and forwards in time. The style is almost stream of consciousness, with the main subject of finance digressing into topics as diverse as biology, music and squash (the author is a serious player of squash and other racquet sports). In addition to Niederhoffer's unconventional style of writing, the book assumes a fairly high level of knowledge regarding financial markets. Those (such as this reviewer) who are not well versed in the kind of articles, charts and data found in the Wall Street Journal or Barron's will often find themselves in way over their heads. For all this, I still recommend The Education of a Speculator, even to people not especially interested in the world of investing. Victor Niederhoffer is what may be called a holistic or macro thinker; he could also be called a Renaissance man. He has knowledge of many subjects and sees the connecting links between all events, objects and disciplines. He may not be right about everything, but his perspective is always interesting, intelligent and original. He combines the streetwise instincts of Brooklyn, where he grew up, with the scholarly mindset of Harvard, where he both graduated from and taught. As for investing itself, Niederhoffer, like many speculators (at one point he describes the overlapping definitions of an investor, a speculator and a gambler), has had many ups and downs in his life. When this book was written, he was at the top of his game; shortly afterwards he was wiped out. That, of course, was several years ago and he is still active as a writer (he has recently written a new book) and investor. I have always been fascinated with the world of investing, especially the kind of volatile speculating engaged in by people like Niederhoffer. Even if you don't understand all the details and nuances, the book conveys the dangers and excitement of this unpredictable universe. The author has spent many years compiling and analyzing data concerning markets, and he discusses how difficult it is to make predictions based on past performance. It is easy to look at a chart and, after the fact, describe how stocks or commodities moved in a logical, predictable manner. Often when you try to apply any seemingly logical system using real money, the results are disastrous. Niederhoffer seems to conclude that markets are paradoxical -they are both logical and illogical; sometimes they follow patterns but sometimes they are chaotic. And, most importantly, we can never be sure when order or chaos will prevail. If there is one overall lesson we can take from The Education of a Speculator, it is probably something like this -reality is almost infinitely complex with every part connected to every other part, the whole thing organized by some vast pattern that can only occasionally be comprehended.

7 of 8 people found the following review helpful.
Certainly a Well Deserved Spot In Your Library
By P. Hamidi
As many already know, Niederhoffer has had quite a volatile, and highly publicized career as a speculator. But it is pure naivety and ignorance for people to brush his work off merely because of the two blow ups he had in his fund. In fact, if anything, these two events have, in my opinion, made Niederhoffer's perspective exponentially more valuable than most modern financial literature on the subject.

With that said, I must disagree with his view on statistical inference and its role in market speculation. Although statistical inference is valid as a data point, when one uses it as their primary and sole validation of any trade premise, the risk they expose themselves to is far too high. The foundation of his theories are based on using prior statistical probabilities to validate a trade. In other words, if the odds of a trade blowing up in your face are 1 in 1000, then it's a good trade. But if you don't consider what is going on in the macro environment, the overall sentiment of market participants, and other "subjective" data sets, then you risk exposing yourself to a situation where you make a massive long bet on the S&P futures at a time when the market is in a freefall because of some geo-political and/or financial event such as a Russian debt default, or Asian financial meltdown. This is the scenario that blew Niederhoffer up, but the interesting thing to note is that the "trade" itself had already caused significant loss in a prior event. So what does that tell you about statistical inference?

The value in this book is what you gain from his anectdotes and insights. Although he has a tendancy to go off on a tangent and lose you, if you can keep your focus, this book will provide you with invaluable insight into the mind of one of this generations most experienced market operators.

And his comparison of a classical symphony with the Japanese Yen is priceless, and can be worth the price of this book in itself.

I have personally read this book over 5 times by now, and I'm sure I'll read it again.

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Kamis, 03 April 2014

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A Thousand Lives: The Untold Story of Jonestown, by Julia Scheeres

“A gripping account of how decent people can be taken in by a charismatic and crazed tyrant” (The New York Times Book Review).

In 1954, a past or named Jim Jones opened a church in Indianapolis called Peoples Temple Full Gospel Church. He was a charismatic preacher with idealistic beliefs, and he quickly filled his pews with an audience eager to hear his sermons on social justice. As Jones’s behavior became erratic and his message more ominous, his followers leaned on each other to recapture the sense of equality that had drawn them to his church. But even as the congregation thrived, Jones made it increasingly difficult for members to leave. By the time Jones moved his congregation to a remote jungle in Guyana and the U.S. government began to investigate allegations of abuse and false imprisonment in Jonestown, it was too late.

A Thousand Lives is the story of Jonestown as it has never been told. New York Times bestselling author Julia Scheeres drew from tens of thousands of recently declassified FBI documents and audiotapes, as well as rare videos and interviews, to piece together an unprecedented and compelling history of the doomed camp, focusing on the people who lived there.

The people who built Jonestown wanted to forge a better life for themselves and their children. In South America, however, they found themselves trapped in Jonestown and cut off from the outside world as their leader goaded them toward committing “revolutionary suicide” and deprived them of food, sleep, and hope. Vividly written and impossible to forget, A Thousand Lives is a story of blind loyalty and daring escapes, of corrupted ideals and senseless, haunting loss.

  • Sales Rank: #65136 in Books
  • Brand: Brand: Free Press
  • Published on: 2012-11-13
  • Released on: 2012-11-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.37" h x .80" w x 5.50" l, .65 pounds
  • Binding: Paperback
  • 336 pages
Features
  • Used Book in Good Condition

Review
"Riveting...You will not be able to look away. " --"The San Francisco Chronicle"

"Julia Scheeres's book sheds startling new light on this murky, mini-chapter of contemporary history....the narrative is [a] compelling...psychological mystery." --"The Wall Street Journal"

"Scheeres shows great compassion and journalistic skill in reconstructing Jonestown's last months and the lives of many Temple members (including a few survivors)...["A Thousand Lives" is a] well-written, disturbing tale of faith and evil." --"Kirkus"

"Jonestown has become a grim metaphor for blind obedience--for fanaticism without regard to consequences. In the aptly titled" A Thousand Lives", Julia Scheeres captures the humanity within this terrible story, vividly depicting individuals trapped in a vortex of hope and fear, faith and loss of faith, not to mention the changes sweeping America in the 1960s and '70s. She makes their journeys to that unfathomable tragedy all too real; what was truly incredible, she shows, was the escape from death by a tiny handful of survivors. Drawing on a mountain of sources compiled and recently released by the FBI, she changes forever the way we think about this dark chapter of our history."--T.J. Stiles, author of the Pulitzer Prize-winning "The First Tycoon: The Epic Life of Cornelius Vanderbil"t

"Chilling and heart-wrenching, this is a brilliant testament to Jones's victims, so many of whom were simply in the wrong place at the wrong time." --"Publisher's Weekly", starred review

"For those who can picture only the gory end of Jonestown, Julia Scheeres offers a heartbreaking and often inspiring glimpse of what might have been. Her masterfully told and exhaustively researched "A Thousand Lives" should stand not only as the definitive word on Jones' horrific machinations, but on the utopian dreams of a bygone generation. A worthy follow-up to her superb memoir, "Jesus Land"." --Tom Barbash, author of "On Top of the World: Cantor Fitzgerald, Howard Lutnick, and 9/11: A Story of Loss and Renewal"

"How do you tell a new story about Jim Jones and his followers, when everyone knows how it ends? ...Julia Scheeres' riveting A" Thousand Lives" gives us reason to look again. " --"Miami He"rald



"The first solid history of the Temple...less a warning about the dangers of religosity than a clear headed chronology." --"San Francisco" magazine

"Julia Scheeres' "A Thousand Lives"... tells the tragic tale of Jonestown -- in its way, a peculiarly American apocalypse." --"L.A. Times"

"The definitive book on Jonestown and the Danse Macabre of suicide and murder orchestrated by mad Jim Jones. Julia Scheeres takes us by the hand and leads us gently, inexorably, into the darkness." -Tim Cahill, author of "Lost in My Own Backyard"

From the Inside Flap

Had I walked by 1859 Geary Boulevard in San Francisco when Peoples Temple was in full swing, I certainly would have been drawn to the doorway.

I grew up in a strict Christian family with an adopted black brother; race and religion were the dominant themes of my childhood. In our small Indiana town, David and I often felt self-conscious walking down the street together. Strangers scowled at us, and sometimes called us names. I wrote about the challenges of our relationship in my memoir, Jesus Land.

Suffice it to say, David and I would have been thrilled and amazed by Peoples Temple, a church where blacks and whites worshipped side by side, the preacher taught social justice instead of damnation, and the gospel choir transported the congregation to a loftier realm. We longed for such a place.

Unfortunately, the laudable aspects of Peoples Temple have been forgotten in the horrifying wake of Jonestown.

I stumbled onto writing this book by accident. I was writing a satirical novel about a charismatic preacher who takes over a fictional Indiana town, when I remembered Jim Jones was from Indiana, and Googled him. I learned that the FBI had released fifty thousand pages of documents, including diaries, meeting notes, and crop reports, as well as one thousand audiotapes that agents found in Jonestown after the massacre, and that no one had used this material to write a comprehensive history of the doomed community. Once I started digging through the files, I couldn't tear myself away.

It was easy to set my novel aside. I believe that true stories are more powerful, in a meaningful, existential way, than made-up ones. Learning about other peoples' lives somehow puts one's own life in sharper relief.

Aside from race and religion, there were other elements of the Peoples Temple story that resonated with me. When David and I were teenagers, our parents sent us to a Christian reform school in the Dominican Republic that had some uncanny parallels with Jonestown. I could empathize with the residents' sense of isolation and desperation.

You won't find the word cult in this book, unless I'm directly citing a source that uses the word. My aim here is to help readers understand the reasons that people were drawn to Jim Jones and his church, and how so many of them ended up dying in a mass-murder suicide on November 18, 1978. The word cult only discourages intellectual curiosity and empathy. As one survivor told me, nobody joins a cult.

To date, the Jonestown canon has veered between sensational media accounts and narrow academic studies. In this book, I endeavor to tell the Jonestown story on a grander, more human, scale.
 
Julia Scheeres
 Berkeley, California, March 24, 2011

About the Author
Julia Scheeres is the author of New York Times bestselling memoir Jesus Land. She lives in Berkeley, California with her husband and two daughters.

Most helpful customer reviews

10 of 11 people found the following review helpful.
A Gripping Read, The Best Account of Jonestown
By M. McDonald
Just before I read this book, I read Tim Reiterman's "Raven: The Untold Story of the Rev. Jim Jones and His People." I assumed that "Raven," (a very in-depth account) was the final and definitive word about Jonestown (especially considering that Reiterman was a newspaper reporter who was present during the final days at Jonestown. After reading "Raven," I wondered if any other book could really add anything new or significant to Reiterman's very lengthy and thorough account. But I went ahead and picked up Scheeres' book after reading the excellent reviews it garnered. Plus, I was just eager to read more about this tragic event. I found that "A Thousand Lives" is actually better than "Raven." It is highly readable and very gripping. What's more, even if you've read "Raven" you will find a great deal of fascinating information in "A Thousand Lives." There is very little duplication between the books. It seems that Scheeres had access to a lot of archive materials that were not available when "Raven" was written. Scheeres has an excellent writing style that really pulls you in. "Raven" is a good book, but I think "A Thousand Lives" is even better. However, I recommend both books to anyone who is interested in this tragic story.

1 of 1 people found the following review helpful.
Amazing book... Not the best book seller.
By DM2
Wow. Amazing story. It was scary how very easy it was to empathize with the decisions that the victims made throughout the story. Lots of details with good characterizations. I really enjoyed reading about the history of this event. Very highly recommend.

The church in San Francisco has been converted into a post office, but there's a memorial at the cemetery.

Book was in rough shape - even for the price. Shipping was about a week.

4 of 4 people found the following review helpful.
An Excellent Easy Read About Jonestown!
By Sylviastel
The author, Julia Scheeres, had already her own experiences with a similar camp in the Dominican Republic regarding religion which she wrote in her own memoir, "Jesus Land." In this book about Jonestown, the Peoples Temple, and Jim Jones, she writes for those of us who need to further understand the situation that occurred on November 18,1978.

In our world, Jonestown Massacre is rarely mentioned about or talked about and perhaps back in 1978 and 1979 where 24 cable news channels are non-existent that news of Jonestown spread sporadically in the newspapers and television accounts. Guyana at the time didn't have television sets or stations but relied on radios.

For those of us who have spent years trying to figure out what happened. This author provides fresh insight from some of the survivors like Tommy Bogue and his family who joined but defected on that catastrophic day leaving behind his sister, Marilee Bogue, who would die among the others. Marilee was a true believer and wouldn't leave by her own free will even if given the opportunity.

Then the author goes further into detailing about Edith Roller, a loner by choice, educated, cultured, teacher, and who kept a daily diary of the events regarding Jonestown including her own fears and worries. The author really goes into detail about some of the people who were involved in this tragedy.

The author also writes about the only survivor who slept through it all, Hyacinth Thrash, an elderly African American woman with a permanent limp. She had awoken the next day to the horrors of the Jonestown Massacre. She hadn't attended the final white night because she was too tired and frail to go but her sister, Zipporah Edwards, had gone to the event and never returned.

The author goes into details about what life was like in Jonestown including the horrors. She doesn't go into complete details about what else was going on there but she gives a good example of the dire situation.

I think if anybody wants to read about Jonestown without being overwelmed by details and information. This book would provide a great overview and enlightenment about the people who lived and died. To this day, most people don't refer to Jonestown or are even aware of what happened except to news reports and newspapers.

Jim Jones Jr. made an appearance on the Oprah Winfrey Show but he shared the hour with John Wayne Gacy's poor sister about relatives who did horrible things to others. Well, maybe if you keep an open mind about the situation in Jonestown.

The Peoples Temple didn't happen overnight. Many of that generation wanted change in their society. The Peoples Temple offered an immediate family and friends along with health care services for it's members. Drug addicts would be rehabilitated long before clinics and centers were there to help them. Lonely senior citizens would have companionship and friendship with others. The Peoples Temple attracted people from all walks of life to it's organization in making the world a better place. In the end on November 18,1978 which reads like a horror book, the Peoples Temple's light was extinguished by a madman for the final time in order.

I hope readers will be fascinated by this book and I encourage those out there interested in buying this book. For those of us, I'm still learning from the events on November 18,1978. I would suggest that the author have provided maps to further familiarize the areas in South America and North America and a list of those who perished that day. The author couldn't write everything down but she did provide a sensitive overview of Jonestown which should be greatly admired. I also suggest photographs of some of the people involved as well to further relate readers to the event.

It's time that everybody looked at Jonestown and the events of November 18,1978 with new light and education over ignorance and ridicule.

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Lennon & McCartney Favorites For Clarinet - Instrumental Play-Along (Bk/Cd) (Hal Leonard Instrumental Play-Along), by The Beatles, John Le

Lennon & McCartney Favorites For Clarinet - Instrumental Play-Along (Bk/Cd) (Hal Leonard Instrumental Play-Along), by The Beatles, John Le



Lennon & McCartney Favorites For Clarinet - Instrumental Play-Along (Bk/Cd) (Hal Leonard Instrumental Play-Along), by The Beatles, John Le

Ebook Lennon & McCartney Favorites For Clarinet - Instrumental Play-Along (Bk/Cd) (Hal Leonard Instrumental Play-Along), by The Beatles, John Le

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Lennon & McCartney Favorites For Clarinet - Instrumental Play-Along (Bk/Cd) (Hal Leonard Instrumental Play-Along), by The Beatles, John Le

(Instrumental Play-Along). Excellent solo arrangements of 12 hits, complete with CD accompaniment! Songs: All You Need Is Love * A Hard Day's Night * Here, There and Everywhere * Hey Jude * I Want to Hold Your Hand * Let It Be * Love Me Do * Nowhere Man * Penny Lane * She Loves You * When I'm Sixty-Four * Yellow Submarine.

  • Sales Rank: #536857 in Books
  • Published on: 2011-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .12" w x 9.00" l, .28 pounds
  • Binding: Paperback
  • 16 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Good book
By Christine Arnold
It's exactly what I was looking for. Teacher told me to get one of these play along books for practice for the summer, and this has some of my favorite music.

0 of 0 people found the following review helpful.
Young niece says: oh, I love this song ... oh, that one too .... and ...
By E. M. Hammond
Young niece taking clarinet lessons ... this made a nice stocking-stuffer gift .... she's excited to one day be able to play these songs ...
So, something to aspire to ...

See all 2 customer reviews...

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Lennon & McCartney Favorites For Clarinet - Instrumental Play-Along (Bk/Cd) (Hal Leonard Instrumental Play-Along), by The Beatles, John Le PDF
Lennon & McCartney Favorites For Clarinet - Instrumental Play-Along (Bk/Cd) (Hal Leonard Instrumental Play-Along), by The Beatles, John Le PDF